What’s truly amiss with Olamide and his musicians in his record label (YBNL)?
We had this discussion in our Whatsapp bunch following we got the evil report of Temmy Ovwassa over Olamide.
What bewildered me more than anything else is that Lyta, Davolee, and many have encountered comparable issues with this mark.
Sufficiently clever, everybody sees Olamide as a remarkable person and savior to certain craftsmen.
His effect on Adekunle Gold, Lil Kesh, Phyno, CDQ, Ycee, and even quick rising Bella Shmurda can’t be exscinded.
Many have quickly dissolved Olamide’s commitment to the Nigeria Music Industry after Temmy turns into another artiste to paint Baddo’s photograph.
A Twitter client stated, “Olamide isn’t helping any craftsman, rather utilizing them to manage his own situation in the music business.” Could this be valid?
Is that why he marked Picazo and Yomi Blaze at that point? Is it on the grounds that those young men were popping at that point?
Do you at any point realize Olamide has pursued Fireboy prior to getting back to him back after his tune “Jealous” became famous online?
In any case, my own say on this issue is that you don’t need to assemble individuals and guarantee them advancement when you really can’t manage the cost of their costs.
I will leave the issue here so you folks can proceed with your various suppositions.
What Could Be Wrong In YBNL As Leaving Artistes Are Giving Bad Report Over Olamide’s Management?
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